Thursday, November 5, 2015

The Stranger in The Stranger

Upon opening The Stranger by Albert Camus, I was curious as to who or what the title was referring to. My initial thoughts were that we would get a third-person perspective of a peculiar individual in society, and maybe criticize and analyze his behaviors over the course of the book. Perhaps there would be a recurring, odd individual in the story, always lurking on the sidelines and eventually getting involved in things that didn't concern him. I was not expecting that Camus would actually put us in the shoes of that character. Because we got to be inside Meursault's mind, the author urged us to consider his significance in society. Like most of the 20th century novels we've read so far, The Stranger offers a unique perspective into the workings of the human mind. Most of the protagonists we've encountered over the semester are arguable social hermits, all either too enthralled or unfazed entirely by events in their life. In the case of The Mezzanine by Nicholson Baker, the main character pays excruciating detail to everything in his life. So much so, in fact, that it doesn't leave much room in the book for any significant plot. Similarly, Clarissa Dalloway in Mrs. Dalloway spends the bulk of her day thinking about her party, and not much else. Contrastingly, Jake Barnes in The Sun Also Rises is an emotionally removed individual, kudos to his traumatic past, yet his feelings are still made clear to us over the course of the book.

When it comes to The Stranger, however, Meursault's troubled past is hinted at, but doesn't seem to faze him in the slightest. In fact, I would argue that this is the reason for his detached demeanor. It is quite possible that his parents never showed him any love in his youth, and he has grown up lacking human emotions. Indeed, the court and citizens seem to think there's something wrong with him. What perplexed me, though, was the fact that they soon lost interest in the reason they were all there, with the court case turning into an analysis of his mind rather than his crime. On a weekend getaway with his friends and girlfriend, Meursault shot and killed an Arab man. Since it is unclear to the audience why he did this, there's some hope when the court began questioning his motives. Frustratingly, Meursault doesn't seem to know, either. They eventually sentence him to death by beheading, and we feel pity for him. Yet it is important to realize that we have an in that the rest of the characters do not. Like I assumed before reading the book, they are simply analyzing someone they find weird. Though by experiencing everything in the first person, we are able to draw conclusions about Meursault's reasoning. However, even though we have VIP access to his thoughts, it feels like he censors them to us, too. He rarely quotes himself or others, and seems more interested in describing his surroundings than his thoughts and feelings about a particular situation.

Plot confusion aside, we all decided that if anything, Meursault is a brutally honest man. He doesn't feel the need to sugar coat things like we do, so this should make him a credible source. Because of this, I was skeptical to assume that he was putting up a facade for us. Some people in our class have called him a sociopath, and I believe there is some truth to this. He kills a man, and doesn't seem to feel any remorse for it. Because I assume that none of us share the same psyche as him, I think the book is aptly named. Even though we get some perspective into his life, he is still a complete stranger to us, and most of us agreed that he has mental problems. I believe Camus made this book purposely vague, challenging us to reason with a character whose mindset is completely alien from ours.

5 comments:

  1. As you said, having an in on Mersault's thoughts doesn't let us know everything about him. He could be censoring his thoughts to us, or maybe his thoughts just don't go into that much detail. He doesn't have reasons or explanations for what he does, which is what makes his crime so confusing. There's no reason for it. We and anyone else can analyze him as much as possible, but we still won't find a specific reason for why he killed someone.

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  2. I feel like we actually do find a reason for his actions, i.e. the sun, it's just that this explanation doesn't make any sense to us. The idea of killing because of the sun sounds ridiculous, but for someone who is so strongly influenced by primal urges it would be a reasonable assumption that he feels the sun truly made him do it. I don't think Meursault is a sociopath, but he is definitely mentally unstable. When you combine powerful stimuli, little to no regard for human life, and a gun, I think that why he killed the Arab is almost comprehensible.

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  3. You make a good point. The Stranger's ambiguity makes Meursault confusing and intriguing to analyze as a character. Because his mindset is so different from our own, are quick to try to judge and label him as something we are not, like a sociopath. Some people have brought up that Meursault does not fully fit the sociopath description and so he is mislabeled. So far I haven't found a mental condition that Meursault fits completely but we do agree that there is something odd about him. Really "strange" is the best label we have for him.

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  4. I can actually sort of relate to Mersault by virtue of my limited memory of my life before the age of ten or so. His honest, simple, carefree existence, centered around the here and now and his apparent lack of responsibility really remind me of what it's like to be young. On top of this, I'm quite certain I was nearly a sociopath till middle school-- harmless and completely rule abiding, but lacking any genuine empathy. When my pets died I was sad (though not as sad as I would be now), but I suspect it was more due to the loss of something I liked than actual sympathy for the animal. (Side note: appreciation for music and empathy came around the same time for me. Always thought that was kind of interesting). So, I kinda get him. And I kind of envy him (in part one anyway); those were good times. Incase you're resolving to keep your distance from now on, I'd like to assure you that grew out of it and am now appropriately burdened with remorse for things that have no actual effect on my life.

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    1. I kinda feel like we were all "sociopaths" for a while when we were young. Putting others before oneself and interpreting how other people are feeling are skills that we have to learn, especially when humans tend to put themselves first (which was necessary to survive). This kind of disregard/misunderstanding of other people's feelings is something I've noticed a lot in fiction from the perspective of kids. It's just usually not violent like Meursalt.

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